Thursday, August 2, 2018


THE MUSTANG WALKABOUT

FREE PHOTOGRAPHY WORKSHOP

An Introduction to the Mustangs
of Sand Wash Basin




What do I need?

Please remember- you don't need everything on this list
Please message us and we will guide you through selecting the best camera/supplies...




Camera: I bring a Canon 7D Mark ii and a backup Canon Rebel T3ii. The lenses fit both. I usually have them professionally cleaned over the winter, so they are ready for the spring, summer, and autumn photography trips. A professional camera is not necessary- people often use a simple point and shoot or even a cell phone camera.
Lenses: I use a 100-400mm image stabilised Canon lens most of the time. The Rebel has an 18-135 mm for panoramic vistas. I carry both in the field to make sure my lenses overlap. I also have an 18-55 mm, but that won't cover the area from 55-100 mm, so I bring the 18-135 mm. This way I have a full range of lens choice that overlap. A lot of camera stores sell refurbished used lenses, and this is a great way to get a lens for a reduced price.  You must have a lens with a minimum distance of 300 mm because you cannot approach the horses closer than 100 feet in most management areas, so a long lens is crucial.

Memory Cards: I buy new cards every year. The most important thing is the speed and the size. Get a size that you won't have to swap cards out frequently, but make sure to have extras. I find the highest speeds to be the best for mustang photography. For the SD Cards, go for the minimum of  90-95 MB/sec read/write and Class 3. Compact Flash Cards come in 120mb/s for the high-speed setting. You want to be able to use the camera's rapid-fire capability, so you'll want the card to match the speed of the camera. I also recommend many smaller sized cards versus one huge card. I usually carry 64MB, 32MB and few 16MB.

If something spectacular happens (and it often does), those photos may turn out to be some of your best work, take the card out of the camera and put it in a safe place when the action is over. The precious photos will be safe, and you won't have to deal with a card failure (rare, but it happens). I kept my first photos of Picasso on a CF Card and carried all the way home after backing it up multiple times.  Another trick- I keep empty cards in my right pocket, and used cards in my left. They are numbered 1,2,3 etc. and this way I instantly know what cards are used and which are empty.

Batteries: I carry four. Two are in the battery-grip for the camera all the time, and so far, I haven't had to replace the double battery even after 12 hours of shooting. But I always carry four freshly charged batteries in the field. The backup camera has a single battery, and I carry a spare. We charge them using car charger adaptors, or we also use a PowerVerter or Power Inverter which offers plugs and uses the car lighter for the power source. We charge batteries while we drive to save time.

Monopod/Tripod: There are wonderful to stabilise your camera. At places like the waterhole, there is a lot of action going on all the time. Karen usually has one leg of her tripod extended, and she will drop the other two if it looks like we will be stationary for a while. I usually carry the tripod with all three legs extended.

External Hard Drives: I carry a 2TB hard drive, and I upload every night. I don't even look at the photos until they are backed-up on two external hard drives and then, sparingly. Once I am home, they get backed up via the Cloud, and the hard drive goes into the safe. Only then do I go through all the photos. 

Computer/ Laptop: I bring my MacBook into the field. It is very light and has a nice sized screen. I opted for the Macbook over the MacBook-Air because the Macbook run Photoshop- always useful to have to examine photos if necessary or after they are backed-up.

Binoculars: As an avid bird watcher, I have a good sturdy pair. You'll need them for the bands in the distance.  I have a simple pair of 8x42 Bushnell.



Sundries:
  • Snakebite kit, yes there are snakes out on the range. So far, no one has been bitten, just watch where you put your feet at all times. The Prairie Rattlesnake is generally docile, but even the shyest snake will bite if it is stepped on. Some people wear snake-gaiters, and I carry a pair. We carry a snake hook which allows us to move a snake off the road or away from habitation safely for both snake and snake wrangler- please remember, my husband is a herpetologist, and I have a lot of experience handling snakes.
  • Sunscreen- tons of the stuff
  • Cooling evaporative towel (Frog Tog)
  • Lens cleaning kits
  • Storm covers- some of the best photos are just before a storm but protect your camera at all times.
  • Food/water/cell phone with a car charger
  • Snacks- jerky, chips, fruit...
*Always let some know where you are, how long you plan to be there and when you expect to return.

Saturday, January 13, 2018

Why we do what we do.... Ben's Chase



The air is beginning to cool after 95°F (35°C); dusk is settling over the Basin. Karen and I saw horses heading to the waterhole just below the Pony Express Cabin at Great Desert Basin, HMA in Utah. We had just finished photographing another herd way out on the plains and returned to the campsite. The Pony Express Cabin is very close to our campsite, so we immediately hopped back in the truck and arrived ahead of the horses.  Observing most of the horses heading to the far side of the pond, we parked the truck on the north side of the pond and walked up the hill to get an unobstructed view.  We did not see the horses arriving over the hill behind us until they startled us with their proximity. We were surrounded, and the truck was parked a distance away…


Why we do what we do…


There’s the thrill of photographing horses living free. There are no retakes, there are no ‘do-overs’ out on the range. We must be swift, precise, and always alert. Rarely, such as that evening at Great Desert Basin when we are tired from a long day of shooting under a hot August sun, we become less attentive, but those instances are rare. There are rattlesnakes out there and help is far away.

The horses do not pose, there is no handler guiding an impeccably groomed horse towards the photographers. We don't mean to disparage our colleagues who do photograph domestic horses. They take extraordinary photographs but I have done those (horse shows, outdoor photo shoots, on location photo shoots etc) and I feel something vital is missing.

There are no amenities on the range, we eat reconstituted food, we bathe out of basins, there is no WIFI, no cell service, and no air conditioning except in the truck as we travel from herd to herd.  We spend weeks on the range living with the horses. The temperatures can range from 40°F (4.4°C ) on Pryor Mountain to over 100°F (38°C at Sand Wash Basin in Colorado. We miss refrigeration; cold drinks are a luxury we don’t have very often. There is no electricity, so we charge our devices via the cigarette lighter in the truck as we travel. We carefully gauge our gas consumption, often travelling nearly an hour to refuel.

There’s a freedom out there on the range, an unpredictability, and a heightened sense of anticipation. We never know what we will see each day, sometimes we witness stallions sparring, or perhaps a new foal on shaky legs. We watch the sky and wonder whether the storm clouds will bring thunderstorms or pass by harmlessly. We must always be ready and vigilant. Once, my daughter Abby was nearly trampled out on the range. A stallion was chasing another away from his mares.  He had a huge open plain and he chose to head directly towards us.  We had nowhere to hide because safety is a car and horses seldom stop near the road.  We had to do our best to predict which way they would turn… we were lucky, a few feet to the left and they might have run over her. My son Ben captured the entire incident while I was in the process of a small nervous breakdown...


Ben's chase
McCullough Peaks, Wyoming 2013 
Abby was ten years old, and Ben was eight.
Click on the image and it will open a larger version-simply click each image and it will scroll to the next...

Peacefully grazing in the distance

The Chase begins

Closer

A bit closer, we can tell they are probably cutting between myself & Ben and Abby

Even closer

They pass in front of Ben and I

Abby appears, on the right

Shes dashing out of the way...

Abby disappears...

You can just make out Abby's leg just behind the second horse's foreleg

She appears, we all breathe a sigh of relief

They continue the chase

Abby, ever the professional, continues shooting...


  These are my photographs of the same scenario.

You can see how close Abby's purple boos are to the hooves of the stallion




It’s intense out there and it is challenging.  The horses don’t pay much attention to us, so our photos are raw and natural. For myself, I want the viewer to feel as though they were standing next to me when I took the photograph, so I do not use artificial filters. Because of the unpredictability of the photographing, they are not always perfectly focused, but the power and energy are undeniable. For Karen, she has learned to paint with astonishing speed and accuracy. She can paint without interacting with the horses, effectively capturing their natural essence.

We give up creature comforts for the privilege of photographing wild horses. There is a vitality and unrestrained passion that flows through the horses; we try our humble best to bring that life to you.

“In photography, there is a reality so subtle that it becomes more real than reality.’ 
-Alfred Stieglitz

“Painting is the representation of visible forms. The essence of realism is its negation of the ideal.”
-Gustave Courbet

THE MUSTANG  WALKABOUT FREE PHOTOGRAPHY WORKSHOP An Introduction to the Mustangs of Sand Wash Basin What do I need? Pleas...